Surreal Identity
Conceptual self-portraits This series goes beyond photography. It is a collection of visual artifacts created at the intersection of fashion, performance, and conceptual art. Each image is produced manually during the photographic process — without Photoshop, AI, or digital manipulation. Only camera, light, body, material, and idea. For this series, I used a front-facing phone camera with two light sources, and all images were carefully processed in Lightroom to preserve their texture, color, and depth. I work with materials, light, and form as instruments of transformation. Foil, neon, textile, distortion — not as decoration, but as metaphor. These self-portraits are not reflections. They are visual statements. The body appears as a constructed presence: altered, mediated, and intentional. ⸻ Available for licensed use The works are available under a commercial license and are suitable for: • album covers • editorials and magazines • fashion campaigns and lookbooks • art books and visual publications • digital platforms and curated visual projects • theatre posters and scenography • packaging and visual branding • interior installations and gallery exhibitions • presentations, lectures, and visual essays